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An animated digital painting designed to serve as a commentary on the debate surrounding the identity of Joan of Arc and her role in modern society. This debate has focused on her controversial adoption as a queer icon for lesbians and gender nonconforming individuals within the LGBT community, and the resulting conflict with the dogma of the Roman Catholic church. In particular, this work explores how the modern digital landscape contributes to the evolution of her identity while critiquing how Christian religions use the word of God and the Bible as an excuse for bigotry and persecution by subverting Joan of Arc’s actions into something more sinister.
Performance of a work that is an adaptation of Georges Méliès. 1902 film, Le Voyage Dans La Lune (A Trip to the Moon). This project deconstructed and developed Méliès’ film into a work of devised theatre that investigates, converses with, and intervenes in the original work. The goal is not to exactly replicate the film or simply adapt it for the stage, but to understand what the film and its creator are saying and craft a response using some of the same aesthetic and contextual language. What does the film articulate now, two-hundred years after its release? Combining biographical, autobiographical, historical, and generic elements, the resulting performance piece explores questions of identity, exploration, memory, the medium of film itself and our relationship to it.